MENU

Christopher Fox Course Leader at Dartington Summer School 2021

Graham Lynch Worldwide August Premières!

Rabindranath Tagore

22 July 2021 Comments Off on 80 Years without Rabindranath Tagore – Living Through our Music Views: 745 CE News

80 Years without Rabindranath Tagore – Living Through our Music

Saturday 7 August 2021 marks the 80th anniversary of the death of the Nobel Laureate Rabindranath Tagore – the first non-European/American to receive the Nobel Prize in Literature. Tagore – a  poet, writer, playwright, composer, philosopher, social reformer and painter – has made an unmeasurable impact worldwide in the fields of literature, music and art. An ardent humanist, he also left a legacy in politics and education. Tagore was part of the “Dartington Experiment”, which has become The Dartington Hall Trust, the summer school of which itself has become an important creative spring board for many composers as well as musicians.

Here at Composers Edition, Tagore has been a source of inspiration for many of our composers and his work has been living through their music.

Janet Swinney on composer Naresh Sohal and the poetry of Rabindranath Tagore

Tagore’s poetry provided a lifelong inspiration for Naresh. He made forays into the work of other poets from both West and East, but he returned repeatedly to Tagore and, especially, his large collection of prose poems, ‘Gitanjali’. The appeal of these poems was fundamental, being concerned with the human being’s eternal quest for spiritual realisation, the ultimate sublimation of the individual consciousness into the cosmic one. And though he dealt with the issue that sits at the heart of Indian Vedic and Upanishadic philosophy, he did so in a way that was neither doctrinaire, nor dogmatic. The immediacy of his work depends on simple imagery that anyone can grasp.

It is not surprising, then, that a composer who straddled two cultures should find that these poems resonated with him, and provided a vehicle for him to be able to express himself. Naresh produced eleven works based on Tagore’s poems over the course of his career (one with two different instrumentations). These range from intimate chamber works to large pieces for orchestra and soloist.

You can find recordings of some of Naresh’s works on Tagore’s poems in Naresh Sohal’s website or on his Soundcloud page.

Also you can watch Patricia Rozario and Mark Troop’s performance of the first song from the Songs of Desire cycle to commemorate the composer at a concert at Wilton’s Music Hall, London, after Naresh’s death in 2018.

At the moment, Composers Edition has published five of the later scores of Naresh’s Tagore works – Songs of Desire for soprano and piano, Poems of Tagore N.3 for soprano and cello, Poems of Tagore N. 4 for soprano and violin, Three Songs from Gitanjali for soprano, string quartet and tabla, and Three Songs from Gitanjali version for soprano, strings and Indian drums.

Jack Van Zandt

Works inspired by, and using poems by, Rabindranath Tagore

On the Shores of Eternity: A Multimedia Dramatic Madrigal (2003, rev. 2021-22)

This work sets texts by the Bengali Hindu poet and Nobel Literature Prize winner Tagore that explore the twilight zone between life and death in a dozen songs and extended dance pieces, utilising video and other multimedia elements. Filming the complete work for internet streaming begins in 2022. In addition, all the individual pieces may be presented on their own in live concert settings.

At the moment, you can watch two of the arias here:

Here we have a list of individual works from On the Shores of Eternity on poems by Rabindranath Tagore, which are planned to be published between 2021 and 2022:

Three Choruses from On the Shores of Eternity for 5-part chorus or vocal ensemble SATBarB
Understanding for soprano, alto flute, harp, electric cello, electronics, video, 2 dancers
A Dance Beyond Death for soprano and dancers with: version A – alto flute, harp, electric fretless bass guitar, electronics, video; version B: alto flute, harp, electronic guitar, electric fretless bass, electric piano, celeste, vibes, marimba, glockenspiel, chimes
First Light for 2 sopranos, vocal ensemble, fixed and live electronics, video, dancers
The Messenger for soprano, electric bass guitar, electronic guitar, synthesizers, percussion, electronics, dancers
Living the Infinite for soprano, electric bass guitar, electronic guitar, synthesizers, percussion, electronics
The Stars Look On for soprano with: version A – electric bass guitar, electronic guitar, synthesizers, percussion, electronics; version B – string quartet and electronics
Time’s Ocean (madrigal opening) for dance or concert with video. Version A: electronic; version B: large wind and percussion ensemble with cellos, double basses and electronics
On the Shores of Eternity (madrigal finale) for dance or concert performance with video. Electronics, flute, harp, electric fretless bass guitar, electric guitar, vocal ensemble

Colin Riley

Colin Riley’s piano piece As the Tender Twilight Covers is based on a Tagore poem:

As the tender twighlight covers its fold of dust-veil marks of hurt and wastage from the dusty day’s prostrations, even so let my great sorrow for thy loss, Beloved, spread one perfect golden-tinted silence o’er my life.

Let all its jagged fractures and distortions, all unmeaning scattered scraps and wrecks and random ruins, merge in vastness of some evening stilled with thy remembrance, filled with endless harmony of pain and peace united.

Rabindranath Tagore

It was commissioned and premiered by Matthew Schellhorn, and performed again in a video by Italian pianist Agnese Toniutti.

Alastair Greig

Sparks will fly for voice and piano is a song cycle setting three ‘Sparks’ by Rabindranath Tagore, together with ‘Madrugada al raso’, (Daybreak), by Octavio Paz and two verses from W.H. Auden’s ‘Lullaby’. It came from a conversation between the composer and soprano Lucja Szablewska about the idea of writing a song cycle ‘tailor made’ for her voice

momentary flight for flute and piano contains many sparks that ignite; some fall, some soar but not in an obvious way. It’s almost a collection of fragments or tiny “moments musicaux”. The slow pulse stops only for a moment although, when listening, one should be unaware of measured time (one hopes).

A spark is fulfilled

By its momentary flight:

To soar and then die

Is its whole delight.

Tagore, Jottings: no. 7

We at Composers Edition are so grateful for Rabindranath Tagore’s work and to all that it represents. We are so proud to be part of carrying on his legacy through the works of our composers.

 Get news and deals with:
Composers Edition Club

Tags: , , , , , , , , , ,

Comments are closed.